Somewhere underneath that wall of white, that cement-brick-back-breaking-shovelling-son-of-a-gun-global-warming-denying mass of frozen water, is life. Somewhere underneath it all is a flower.
I know, because I planted one before the last ice age. In fact, I planted precisely 565 bulbs, plus my usual 20 rows of winter garlic, in October when green was more than a gleam in a Mastodon’s eye.
I hired a man to climb onto my roof, 60-feet from what used to be pavement, in 60-kilometer gusts, to clear five feet of snow and ice. He was down with the flu, but he felt obligated as I had paid him in advance. “Man,” he said, “I’ve never seen anything like this. It’s like the sky opened up.”
And God forgot to turn off the faucet.
Where once there were columbine, clematis, roses, cone flowers, rudbeckia, and ten varieties of Asian lilies in my back garden, there is now a monotonous gleam under the blue moonlight of dread.
And yet, no, not this.
Shakespeare was “discontented” with this season. George Bernard Shaw described it as “simply ridiculous”. Oscar Wilde wanted to know where he could go to get his money back, having spent a month in Cornwall when the winds blew his January hat from his oversized head.
Others have had this to say:
“I prefer winter and fall, when you feel the bone structure of the landscape – the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn’t show.” (Andrew Wyeth)
“There is a privacy about it which no other season gives you. In spring, summer and fall people sort of have an open season on each other; only in the winter, in the country, can you have longer, quiet stretches when you can savor belonging to yourself.” (Ruth Stout)
“Winter is nature’s way of saying, ‘Up yours.’” (Robert Byrne)
Certainly, but for me, winter is nature’s way of saying, “Remember”.
Remember when you pined for a snow day from school and for toboggans and skates? Remember the forts you built in banks with your pals? Remember the battles you waged over the turrets of your perfect ice castles?
Remember when you were that young to understand that the world was full of hope and promise and hot chocolate by the fires of your imagination?
In the dead of winter, when we were children, my sister and I would come alive, reading aloud tales of impossible adventures to each other, turning our younger brother’s rocking horse into a drum set, transforming a lacrosse stick into a guitar, and making a microphone out of an eight-track player.
Later, my young wife and I would sit by the T-V in the February cold and debate the meaning of Carl Sagan’s “Cosmos” series, and the merits of Dick Cavett’s pretentious, but entertaining, PBS talk show. If we had some money (which we rarely did), we’d put in a call, as the winds howled and the snow drifted, and pledged it to MPBN like long-lost family who just got wise to little Timmy’s imminent demise. We’d go to bed knowing that we had, at least once, saved the world from the malign forces of Mordor, or whatever else we were reading at the time.
Winter was reflection, and reflection was winter in the cold play of our minds and bodies in an unforgiving climate we forgave easily and joyfully as children. Somewhere in those quiet flights of fancy and sudden bursts of generosity, and under all that wall of white, we became human beings.
And now the man is gone from my roof, happy to be home with his wife and children, his job well done, waiting for the next storm, looking for a job.
Somewhere, from his vantage and underneath it all, a flower grows.